ORIGINAL ART
"The Sound of Her"
Exhibition at Paladar, London - Available Works
Breath (Sikus)
Acrylic and hand Embroidery on canvas
102 x 76 cm
Breath represents the origin of sound: air becoming vibration. The figure holds a Sikus, an instrument that transforms breath into collective harmony through its multiple pipes. Her eyes remain closed, suggesting listening before expression — a moment of stillness where sound exists first within the body.
In Andean traditions, wind carries memory across mountains and valleys. The hummingbird accompanying the figure reflects this invisible movement of life force, embodying vitality and the quiet transmission of spirit. In this painting, breath is not merely physical; it is the first connection between body, landscape, and sound.
Hand embroidery is woven into each canvas as both material and meaning.
Each stitch honours ancestral textile traditions and the creative legacy of women.
Whisper (Quena)
Acrylic and hand Embroidery on canvas
102 x 76 cm
Whisper centers on inward listening — the subtle moment when breath becomes sound. The figure plays the quena, an Andean flute whose voice emerges softly through air and silence. Rather than projecting outward, the music feels intimate, almost prayer-like, shaped by quiet intention.
The hummingbird appears as a messenger between worlds, a symbol deeply rooted in Latin American Indigenous cosmology. Its presence suggests that the whisper has been heard beyond the visible realm. In this work, sound becomes offering — a delicate bridge between breath, spirit, and memory.
Hand embroidery is woven into each canvas as both material and meaning.
Each stitch honours ancestral textile traditions and the creative legacy of women.
Resonance (Charango)
Acrylic and hand Embroidery on canvas
102 x 76 cm
In Resonance, vibration takes form through the charango. The figure’s hands awaken the strings, transforming touch into sound that lingers beyond the moment of playing. The instrument’s bright tone carries warmth and memory, echoing the landscapes where Andean string traditions were born.
The hummingbird, hovering close to the body, reflects the persistence of sound after it is released — an echo traveling between worlds. Resonance speaks of music as presence: a vibration that remains in the air, in the body, and in memory.
Hand embroidery is woven into each canvas as both material and meaning.
Each stitch honours ancestral textile traditions and the creative legacy of women.
Pulse (Bongos)
Acrylic and hand Embroidery on canvas
102 x 76 cm
Pulse returns sound to its most elemental form: rhythm. The figure plays the bongos, her hands resting in the moment just before movement, where vibration is about to awaken. Here, rhythm is not performance but presence — a heartbeat that connects body, earth, and breath.
The hummingbird appears as a symbol of vitality and spiritual movement, a messenger often associated in Latin American traditions with life force and transformation. Hovering near the figure, it reflects the energy that rhythm releases into the world.
In Pulse, sound becomes grounding. Through the simple act of touch on skin and wood, rhythm emerges as the foundation from which all music begins.
Hand embroidery is woven into each canvas as both material and meaning.
Each stitch honours ancestral textile traditions and the creative legacy of women.
What moves within us
Acrylic on Canvas
127 x 102 cm
What Moves Within Us explores the quiet forces that bind us together beyond language, culture, and time. The painting reflects on the idea that connection is not something we always consciously seek, but something that already exists within us—moving through gesture, rhythm, memory, and shared human experience.
Three figures move in unison beneath the moon, their bodies forming a continuous flow of movement rather than separate actions. They are not performing for an audience, but embodying something already alive within them: an instinctive rhythm that emerges when individuals become aware of their place within a larger whole. Their dance becomes a visual expression of interconnectedness, where individuality remains present yet gently dissolves into collective motion.
The surrounding natural elements—the moon, the night sky, and the lush vegetation—are not simply a backdrop but part of the same living system as the figures themselves. They echo cycles of nature and suggest that human life unfolds within wider patterns that link people, landscapes, and time.
In this way, the painting reflects a broader idea of interconnectedness: that our gestures, rituals, and creative expressions are never isolated acts. They are shaped by inherited memory, shared cultural rhythms, and the subtle relationships that exist between individuals and the world around them.
At its heart, What Moves Within Us is a meditation on the invisible pulse that connects us—an underlying rhythm that moves quietly within each of us before it appears between us.
Tulumayos and Zapatito rosado
Acrylic on canvas, 130 x 100 cm
With the 'Dancing Ladies' series -name inspired by the Dancing Lady orchid- I show the diverse regions of Peru with depictions of native orchids and regional dances. This series has been part of the Orchid Festival 2025 Exhibition at Kew Gardens, London.
Danza de los Tulumayos is a dance from Tingo Maria, Perú. Tulumayos is an ancient tribe that lived in the Tulumayo river valley. The dance represents the Tulumayos’ history, including their clothing, which was made from leaves and wild stems. The dance is a celebration of the tribe’s peace and humility and represents devotion and gratitude towards Pachamama, goddess of the earth.
Zapatito Rosa, (Phragmipedium kovachii) originating from the misty mountains of Peru, is considered one of the
most beautiful Orchids in the World!
Valicha and Waqanki
Acrylic on canvas, 130 x 100 cm
With the 'Dancing Ladies' series -name inspired by the Dancing Lady orchid- I show the diverse regions of Peru with depictions of native orchids and regional dances. This series has been part of the Orchid Festival 2025 Exhibition at Kew Gardens, London.
Valicha is a very popular ‘huayno’ song from the town of Cusco in Peru. Written in Quechua in 1945 Valicha tells a love story. The clothing is typical of the region, made by the artisans of the area. They use their own natural dyes
for the wool to make the fabrics and embroidery.
Waqanki (Masdevallia veitchiana) Is an orchid found in the wild in Peru, within the vicinity of Machu Picchu. It is rumoured to have been cultivated by the Incas centuries
ago and is referred to as Waqanki in Quechua a term translating to “you will cry”. The name comes from a Quechuan tale involving an Incan princess whose forbidden love for a common soldier led to his demise due to her father’s disapproval. The Waqanki orchid is said to bloom wherever the tears of the grieving princess fall.
Moonlight Reverie
Acrylic on canvas
101.6 x 76.2 cm
Under the gaze of the moon, she drifts through echoes of song and silence.
The rose rests at her feet, the flowers bloom upon her sleeves — quiet witnesses to a heart that listens inward, luminous and whole.
In her stillness, the night breathes.
“Moonlight Reverie / Ensueño de Luna” invites the viewer into an intimate dialogue between light, sound, and solitude. Through bold colour and fluid form, it captures the quiet strength of a woman immersed in her own world — surrounded by symbols of life, music, and remembrance. The piece reflects on how beauty often resides not in longing, but in presence — in the fullness of simply being.
Palomitay
61 x 51 cm
Acrylic on Canvas
Palomitay is a name that comes from the Spanish word 'Paloma', 'Dove' in English. Palomitay is the name of the woman because from her a dove is flying away. Inside her dove there is a phrase 'Deja la vida volar' which means 'Let life fly' it can also be translated as 'Let life flow'. What I wanted to say with this painting is the importance finding a sense of freedom and joy in the present moment, loving every second of live without worries, focusing on passions and happiness rather than seeking validation from others. This phrase invite us to spontaneity, willingness to try new things and step outside of one's comfort zone.
Andean Fantasy 15
Acrylic and aguayo on canvas
60 x 45 cm
An exploration of rhythm, texture, and color — Andean Fantasy 15 celebrates the fusion of organic forms and Andean textile patterns. Each curve, line, and fabric element carries the spirit of tradition reimagined through contemporary abstraction.
🖌️ Medium: Mixed media on canvas
📏 Dimensions: 60 x 45
🌈 Series: Andean Fantasy
This piece invites viewers to lose themselves in a dreamscape of colour, geometry, and nature — a visual dance between heritage and imagination.
Inner Sounds Collection
Throughout the works, hummingbirds appear as companions and messengers. In many Latin American Indigenous traditions, the hummingbird symbolises vitality, love, and the movement between worlds. Here they embody the invisible journey of sound — carrying vibration beyond the visible moment and connecting body, spirit, and landscape.
Hand embroidery is woven into the painted surfaces of each canvas. Every stitch is placed by hand, introducing time, care, and physical presence into the work. These threads echo the deep textile traditions of Latin America while honouring generations of women whose creative labor remained largely unrecognised.
Breath (Sikus)
Acrylic and hand Embroidery on canvas
102 x 76 cm
Breath represents the origin of sound: air becoming vibration. The figure holds a Sikus, an instrument that transforms breath into collective harmony through its multiple pipes. Her eyes remain closed, suggesting listening before expression — a moment of stillness where sound exists first within the body.
In Andean traditions, wind carries memory across mountains and valleys. The hummingbird accompanying the figure reflects this invisible movement of life force, embodying vitality and the quiet transmission of spirit. In this painting, breath is not merely physical; it is the first connection between body, landscape, and sound.
Hand embroidery is woven into each canvas as both material and meaning.
Each stitch honours ancestral textile traditions and the creative legacy of women.
Whisper (Quena)
Acrylic and hand Embroidery on canvas
102 x 76 cm
Whisper centers on inward listening — the subtle moment when breath becomes sound. The figure plays the quena, an Andean flute whose voice emerges softly through air and silence. Rather than projecting outward, the music feels intimate, almost prayer-like, shaped by quiet intention.
The hummingbird appears as a messenger between worlds, a symbol deeply rooted in Latin American Indigenous cosmology. Its presence suggests that the whisper has been heard beyond the visible realm. In this work, sound becomes offering — a delicate bridge between breath, spirit, and memory.
Hand embroidery is woven into each canvas as both material and meaning.
Each stitch honours ancestral textile traditions and the creative legacy of women.
Resonance (Charango)
Acrylic and hand Embroidery on canvas
102 x 76 cm
In Resonance, vibration takes form through the charango. The figure’s hands awaken the strings, transforming touch into sound that lingers beyond the moment of playing. The instrument’s bright tone carries warmth and memory, echoing the landscapes where Andean string traditions were born.
The hummingbird, hovering close to the body, reflects the persistence of sound after it is released — an echo traveling between worlds. Resonance speaks of music as presence: a vibration that remains in the air, in the body, and in memory.
Hand embroidery is woven into each canvas as both material and meaning.
Each stitch honours ancestral textile traditions and the creative legacy of women.
Pulse (Bongos)
Acrylic and hand Embroidery on canvas
102 x 76 cm
Pulse returns sound to its most elemental form: rhythm. The figure plays the bongos, her hands resting in the moment just before movement, where vibration is about to awaken. Here, rhythm is not performance but presence — a heartbeat that connects body, earth, and breath.
The hummingbird appears as a symbol of vitality and spiritual movement, a messenger often associated in Latin American traditions with life force and transformation. Hovering near the figure, it reflects the energy that rhythm releases into the world.
In Pulse, sound becomes grounding. Through the simple act of touch on skin and wood, rhythm emerges as the foundation from which all music begins.
Hand embroidery is woven into each canvas as both material and meaning.
Each stitch honours ancestral textile traditions and the creative legacy of women.
Women in Bloom Collection
These women exist in worlds where music, moonlight, and vibrant textiles echo the cultural rhythms of Latin America. Their poses are relaxed, confident, unbothered — honouring the beauty of rest and the sacred act of being fully present.
Florals bloom across their clothing and skin, symbolizing resilience and growth. Fruits, plants, and ancestral patterns weave together stories of heritage, memory, and woman power.
This series invites viewers to slow down, breathe deeply, and step into a space where feminine energy thrives — colorful, imperfect, and gloriously alive.
What moves within us
Acrylic on Canvas
127 x 102 cm
What Moves Within Us explores the quiet forces that bind us together beyond language, culture, and time. The painting reflects on the idea that connection is not something we always consciously seek, but something that already exists within us—moving through gesture, rhythm, memory, and shared human experience.
Three figures move in unison beneath the moon, their bodies forming a continuous flow of movement rather than separate actions. They are not performing for an audience, but embodying something already alive within them: an instinctive rhythm that emerges when individuals become aware of their place within a larger whole. Their dance becomes a visual expression of interconnectedness, where individuality remains present yet gently dissolves into collective motion.
The surrounding natural elements—the moon, the night sky, and the lush vegetation—are not simply a backdrop but part of the same living system as the figures themselves. They echo cycles of nature and suggest that human life unfolds within wider patterns that link people, landscapes, and time.
In this way, the painting reflects a broader idea of interconnectedness: that our gestures, rituals, and creative expressions are never isolated acts. They are shaped by inherited memory, shared cultural rhythms, and the subtle relationships that exist between individuals and the world around them.
At its heart, What Moves Within Us is a meditation on the invisible pulse that connects us—an underlying rhythm that moves quietly within each of us before it appears between us.
Magic under the Moon
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Oil on canvas, 122 x 91 cm
This painting represents that sacred space where feminine souls meet, share, and empower each other. With the full moon and music as medicine, women create magic, transform, and heal. It's wonderful to see how each woman finds her brilliance and power through the accompaniment of her pack, creating together, rethinking the world together, giving birth to ourselves anew in the company of others, leaving behind everything we've learned that's harmful. With collective support, this brings us relief in many ways, at different times. Magic Under the Moon is a tribute to my tribe, that group of women who strengthens and empowers me every day.
I'm working on this new collection that intends to represent feelings, self love, fraternity and connection as well as simple pleasures and their importance for happiness. Appreciate the little things life offers and allow ourself a time in our day to enjoy them. Thinks like a book, a friends reunion, hugs, nature, a glass of wine, a cup of coffee, a sunset, etc, can make our day.
The way I paint the human figure speaks of volumes and emotions, I don't intend to copy reality but to tell about my inner world and dreams and portrait the inner beauty of my subject.
Dreaming
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Oil on canvas, 100 x 70 cm
Sometimes She get lost in her thoughts, her memories and her dreams take her to fly to that place that only she knows where she hears that perfect melody that lets her emotions be free and intense. There, she gets lost but she also finds herself. In that place she dreams beautifully, she always dreams.
I'm working on this new collection that intends to represent feelings, self love, fraternity and connection as well as simple pleasures and their importance for happiness. Appreciate the little things life offers and allow ourself a time in our day to enjoy them. Thinks like a book, a friends reunion, hugs, nature, a glass of wine, a cup of coffee, a sunset, etc, can make our day.
The way I paint the human figure speaks of volumes and emotions, I don't intend to copy reality but to tell about my inner world and dreams, for that reason I often use distorted proportions and exaggerated features to convey intense feelings and portrait the inner beauty of my subject.
This is an oil painting full of details, painted slowly and with a lot of love.
Imperfectly Perfecta.
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Acrylic on canvas. 100 x 70cm
Imperfectly perfect we are! our our flaws and unique qualities add character and authenticity in ourself, that is our real beauty.
I'm working on this new collection that intends to represent feelings, self love, fraternity and connection as well as simple pleasures and their importance for happiness. Appreciate the little things life offers and allow ourself a time in our day to enjoy them. Thinks like a book, a friends reunion, hugs, nature, a glass of wine, a cup of coffee, a sunset, etc, can make our day.
The way I paint the human figure speaks of volumes and emotions, I don't intend to copy reality but to tell about my inner world and dreams and portrait the inner beauty of my subject.
Palomitay
61 x 51 cm
Acrylic on Canvas
Palomitay is a name that comes from the Spanish word 'Paloma', 'Dove' in English. Palomitay is the name of the woman because from her a dove is flying away. Inside her dove there is a phrase 'Deja la vida volar' which means 'Let life fly' it can also be translated as 'Let life flow'. What I wanted to say with this painting is the importance finding a sense of freedom and joy in the present moment, loving every second of live without worries, focusing on passions and happiness rather than seeking validation from others. This phrase invite us to spontaneity, willingness to try new things and step outside of one's comfort zone.
Blooming soul
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Acrylic on canvas
50 x 40cm
She closes her eyes and feels everything -- the fire within, the softness of her blooming soul, the wild rhythm of her heart. Her skin blossoms with flowers, her spirit weaves with the leaves. She is passion, she is tenderness, she is untamed...
Moonlight Reverie
Acrylic on canvas
101.6 x 76.2 cm
Under the gaze of the moon, she drifts through echoes of song and silence.
The rose rests at her feet, the flowers bloom upon her sleeves — quiet witnesses to a heart that listens inward, luminous and whole.
In her stillness, the night breathes.
“Moonlight Reverie / Ensueño de Luna” invites the viewer into an intimate dialogue between light, sound, and solitude. Through bold colour and fluid form, it captures the quiet strength of a woman immersed in her own world — surrounded by symbols of life, music, and remembrance. The piece reflects on how beauty often resides not in longing, but in presence — in the fullness of simply being.
Dancing Ladies (Orchid Festival 2025, Kew Gardens)
Tondero and Dancing Lady
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Acrylic on canvas, 130 x 100 cm
With the 'Dancing Ladies' series -name inspired by the Dancing Lady orchid- I show the diverse regions of Peru with depictions of native orchids and regional dances. This series has been part of the Orchid Festival 2025 Exhibition at Kew Gardens, London.
Tondero is a traditional dance from the north of Peru (Piura-Lambayeque) Accompanied by a guitar and cajon, the tondero tells the story of a couple’s romance and falling-in-love.
Oncidium orchids are native to Peru and the lush jungles of Central and South America, both in low-lying coastal areas, and as high as 8 000 feet in the Andes Mountains
Know as “Dancing Lady Orchid” because the shape of its flowers, with their large, flowing petals, resemble the skirt of a dancing woman, giving the appearance of movement the petals look like a swirling skirt in motion.
Tulumayos and Zapatito rosado
Acrylic on canvas, 130 x 100 cm
With the 'Dancing Ladies' series -name inspired by the Dancing Lady orchid- I show the diverse regions of Peru with depictions of native orchids and regional dances. This series has been part of the Orchid Festival 2025 Exhibition at Kew Gardens, London.
Danza de los Tulumayos is a dance from Tingo Maria, Perú. Tulumayos is an ancient tribe that lived in the Tulumayo river valley. The dance represents the Tulumayos’ history, including their clothing, which was made from leaves and wild stems. The dance is a celebration of the tribe’s peace and humility and represents devotion and gratitude towards Pachamama, goddess of the earth.
Zapatito Rosa, (Phragmipedium kovachii) originating from the misty mountains of Peru, is considered one of the
most beautiful Orchids in the World!
Valicha and Waqanki
Acrylic on canvas, 130 x 100 cm
With the 'Dancing Ladies' series -name inspired by the Dancing Lady orchid- I show the diverse regions of Peru with depictions of native orchids and regional dances. This series has been part of the Orchid Festival 2025 Exhibition at Kew Gardens, London.
Valicha is a very popular ‘huayno’ song from the town of Cusco in Peru. Written in Quechua in 1945 Valicha tells a love story. The clothing is typical of the region, made by the artisans of the area. They use their own natural dyes
for the wool to make the fabrics and embroidery.
Waqanki (Masdevallia veitchiana) Is an orchid found in the wild in Peru, within the vicinity of Machu Picchu. It is rumoured to have been cultivated by the Incas centuries
ago and is referred to as Waqanki in Quechua a term translating to “you will cry”. The name comes from a Quechuan tale involving an Incan princess whose forbidden love for a common soldier led to his demise due to her father’s disapproval. The Waqanki orchid is said to bloom wherever the tears of the grieving princess fall.
Andean Fantasy Collection
Andean Fantasy 15
Acrylic and aguayo on canvas
60 x 45 cm
An exploration of rhythm, texture, and color — Andean Fantasy 15 celebrates the fusion of organic forms and Andean textile patterns. Each curve, line, and fabric element carries the spirit of tradition reimagined through contemporary abstraction.
🖌️ Medium: Mixed media on canvas
📏 Dimensions: 60 x 45
🌈 Series: Andean Fantasy
This piece invites viewers to lose themselves in a dreamscape of colour, geometry, and nature — a visual dance between heritage and imagination.
Andean Fantasy 14
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Acrylic and Aguayo on canvas
91.5 x 69.8 cm
Andean Fantasy is a vivid celebration of Andean culture, colour, and rhythm. Through an interplay of painted geometric shapes, organic forms, and authentic fragments of Aguayo — the traditional woven fabric of the Andes — the composition weaves together heritage and imagination. The dynamic palette of bright pinks, greens, blues, and earth tones evokes the energy of highland landscapes and the vibrancy of indigenous design. Each pattern and texture tells a story of connection between tradition and contemporary expression, creating a joyful tapestry that bridges the past and present of Andean identity.
Andean Fantasy 13
60 x 50 cm
This painting is inspired by the vibrant colors and patterns of my land (Peru). These colors transmit happiness and good vibes to me and I hope you can feel it too.
To paint it I used acrylic paint on raw canvas. I also added hand embroidery and a piece of aguayo fabric typical of the Andes.
The canvas is not framed but can be hung with or without a frame.
On Sale
On Sale
Andean Fantasy 12
76 x 61 cm
This painting is inspired by the vibrant colors and patterns of Latin America.
To paint it I used acrylic paint on raw canvas. I also added hand embroidery and a piece of aguayo fabric typical of the Andes.
The canvas is not framed but can be hung with or without a frame.
Andean Fantasy 11
Sold out
Acrylic, Embroidery and Aguayo cloth on Natural Linen Canvas
50 x 40 cm
The Andean Fantasy series of paintings are inspired by the cultural manifestations of the original Andean peoples, as part of a personal research on the symbolic language of textiles and ceramics inherited by our ancestors. These elements are fused in my work with patterns, shapes and colours from the constant exploration of my own narrative expression, and my own identity.
Andean Fantasy 9 is a mixed media painting. Painted mainly in acrylic on a refined natural linen canvas, I have added a piece of an Andean cloth called Aguayo and hand made embroidery.
Andean Fantasy 10
Sold out
60 x 50 cm
Acrylic, Embroidery and Aguayo cloth on Natural Linen Canvas
The Andean Fantasy series of paintings are inspired by the cultural manifestations of the original Andean peoples, as part of a personal research on the symbolic language of textiles and ceramics inherited by our ancestors. These elements are fused in my work with patterns, shapes and colours from the constant exploration of my own narrative expression, and my own identity.
Andean Fantasy 10 is a mixed media painting. Painted mainly in acrylic on a refined natural linen canvas, I have added a piece of an Andean cloth called Aguayo and hand made embroidery.
Andean Fantasy 9
Sold out
50 x 40 cm
Acrylic, Embroidery and Aguayo cloth on Natural Linen Canvas
The Andean Fantasy series of paintings are inspired by the cultural manifestations of the original Andean peoples, as part of a personal research on the symbolic language of textiles and ceramics inherited by our ancestors. These elements are fused in my work with patterns, shapes and colours from the constant exploration of my own narrative expression, and my own identity.
Andean Fantasy 9 is a mixed media painting. Painted mainly in acrylic on a refined natural linen canvas, I have added a piece of an Andean cloth called Aguayo and hand made embroidery.
Andean Fantasy 7
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76 x 60 x 4 cm
Acrylic and Aguayo fabric on canvas.
The Andean Fantasy series of paintings are inspired by the cultural manifestations of the original Andean peoples, as part of a personal research on the symbolic language of textiles and ceramics inherited by our ancestors. These elements are fused in my work with patterns, shapes and colours from the constant exploration of my own narrative expression, and my own identity.
Andean Fantasy 7 is a mixed media painting. Painted mainly in acrylic and palette knife, I have added a piece of an Andean cloth called Aguayo and and pieces of some texts of a book about Latin America (a very old book that had lost pages and was going to be thrown away in a second-hand bookstore) that I rescued to give a new live in my paintings, the texts are fused with the paint in the background. This is a painting with a lot of texture because it has been painted mostly with a spatula, also because of the pieces of aguayo fabric that merge with the painting.
Rhythm of Her Soul
Moon Bathing Collection
Moon Bathing 1
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60 x 60 cm
Acrylic and embroidery on natural linen canvas
This series of artworks are inspired in a feeling of calm, tranquility and being with and caring about ourselves. Moon bathing is an ancestral practice of exposing oneself on the light of the moon in an effort to drink in the cooling lunar energy.
In the other hand, The Calathea plants (native to tropical rainforest in South and Central America and the West Indies), symbolise a NEW BEGINNING. For this painting I have used acrylics, embroidery thread and natural linen canvas. I include embroidery in my works as a a tool for female empowerment and peaceful protest, I consider the embroidery as a space of freedom, introspection, self-knowledge and sisterhood.
Moon Bathing 2
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40 x 40 cm
Acrylic and Embroidery on natural linen canvas
This series of artworks are inspired in a feeling of calm, tranquility and being with and caring about ourselves. Moon bathing is an ancestral practice of exposing oneself on the light of the moon in an effort to drink in the cooling lunar energy.
In the other hand, The Calathea plants (native to tropical rainforest in South and Central America and the West Indies), symbolise a NEW BEGINNING. For this painting I have used acrylics, embroidery thread and natural linen canvas. I include embroidery in my works as a a tool for female empowerment and peaceful protest, I consider the embroidery as a space of freedom, introspection, self-knowledge and sisterhood.
Moon Bathing 3
Sold out
40 x 40 cm
Acrylic and embroidery on natural linen canvas
This series of artworks are inspired in a feeling of calm, tranquility and being with and caring about ourselves. Moon bathing is an ancestral practice of exposing oneself on the light of the moon in an effort to drink in the cooling lunar energy.
In the other hand, The Calathea plants (native to tropical rainforest in South and Central America and the West Indies), symbolise a NEW BEGINNING. For this painting I have used acrylics, embroidery thread and natural linen canvas. I include embroidery in my works as a a tool for female empowerment and peaceful protest, I consider the embroidery as a space of freedom, introspection, self-knowledge and sisterhood.
Moon Bathing 4
40 x 40 cm
Acrylic and embroidery on natural linen canvas
This series of artworks are inspired in a feeling of calm, tranquility and being with and caring about ourselves. Moon bathing is an ancestral practice of exposing oneself on the light of the moon in an effort to drink in the cooling lunar energy.
In the other hand, The Calathea plants (native to tropical rainforest in South and Central America and the West Indies), symbolise a NEW BEGINNING. For this painting I have used acrylics, embroidery thread and natural linen canvas. I include embroidery in my works as a a tool for female empowerment and peaceful protest, I consider the embroidery as a space of freedom, introspection, self-knowledge and sisterhood.
Moonbathing 5
Sold out
40 x 40 cm
Acrylic and embroidery on natural linen canvas
This series of artworks are inspired in a feeling of calm, tranquility and being with and caring about ourselves. Moon bathing is an ancestral practice of exposing oneself on the light of the moon in an effort to drink in the cooling lunar energy.
In the other hand, The Calathea plants (native to tropical rainforest in South and Central America and the West Indies), symbolise a NEW BEGINNING. For this painting I have used acrylics, embroidery thread and natural linen canvas. I include embroidery in my works as a a tool for female empowerment and peaceful protest, I consider the embroidery as a space of freedom, introspection, self-knowledge and sisterhood.
Goddesses Collection
Libertad
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"Libertad" was finalist for the VIA Arts Prize
Libertad is inspired by the hope of a more equal and inclusive society.
During the last few years, in several Latin American countries, social movements of Afro-descendants obtained the recognition of important collective rights and forced their states and public opinion to accept the persistence of racism in their respective societies. In order to overcome racial discrimination and the social and political exclusion to which they have been historically subjected, however, there is still a long way to go in the fight for true equality.
Afro-descendant women have always been the most affected since they are inserted in a complex system of structural discrimination of both race and gender . Linking the fight against racism with overcoming gender discrimination and the search for autonomy for Afro-descendant women requires taking on the great challenges as a society for their individual and collective recognition as subjects of rights.
Amazon Activist
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102 x 76 x 4 cm
Acrylic on canvas
“The forest is our mother. The forest is our life and our strength. Women protect the healthy soil and fresh air to protect our children and all life. Now is the time to hear the voices of women to protect the Amazon.”
Cristina Gualinga, Kichwa grandmother from Sarayaku
This artwork celebrates women from the amazon as life-givers, wisdom keepers, and leaders while denouncing violence against women and Mother Earth.
Across the Amazon, Indigenous women are uniting and organizing in defense of life, rights, and territories while confronting increasing threats. Amazonian women defenders are on the front lines of defense and response to climate emergencies. This is in addition to leading resistance against extractive industries, agribusiness expansion, and government policies that incentivize fires, land-grabbing, and attacks against Earth defenders. Amazonian women defenders are guiding solutions for a better future and call upon all of us to listen to their voices and show our solidarity.
A percentage of the price of this painting is going for the Environmental Organisation of Mujeres Amazónicas.
Mama Ocllo
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102 x 76 x 4 cm
Acrylic on canvas
Mama Ocllo, Mother Goddess of spinning, taught women the power of uniting threads with art. In many cultures such as the Andean one, weaving is linked to Spinning Goddesses, with power over destiny, with the rhythm of life and death that characterize existence within time. The fabric is a metaphor to understand the relationship between the everyday and the sacred, between the divine and the earthly.
Pachamama (Mother Earth)
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102 x 76 x 4 cm
Acrylic on canvas
This painting is inspired in Pachamama (Mother Earth), the Supreme Mother and Goddess honored by the indigenous people of the Andes. She is referred to as both the physical planet Earth as well as the universal Feminine Energy in time and space. Her name literally translates as Pacha – meaning world, land, earth, universe; and Mama, meaning Mother. She is the Mother of the World.
In Incan mythology Pachamama is also celebrated as a fertility Goddess who oversees planting and harvesting. She is responsible for the well-being of plants and animals...
I painted this Artwork with high quality acrylic paint and it is ready to hang. Because it is a deep canvas it doesn't need to be frame, the sides are painted in the same colour as the background.
On Sale
On Sale
Woman with basket of fruits
102 x 76 x 4 cm
Acrylic on canvas
Antigua market in Guatemala is a bustling place, full of smells and sounds. The Mayan women fruit sellers inspired me for this painting, usually carrying an amazing amount of things in a basket on their heads while wearing beautiful local costume full of embroidery and bright colours...
Kichwa Woman
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76 x 56 x 4
Acrylic on canvas.
The women of the Indigenous Kichwa Peoples of Sarayaku have played a crucial role in their community’s resistance to attempts to extract the energy wealth hidden in the bowels of their ancestral territory. Always on the front lines of marches, carrying their babies on their backs or in their wombs, the warmis (“women” in Kichwa) have raised their voice to say “No!” to extraction and patriarchy. It is a double struggle for indigenous women of Sarayaku, who are determined to resist both the Ecuadorian State’s attempts to extract oil and the ancestral patriarchy they face in their community.
Nature Collection
Seeds (Semillas)
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52 x 42 x 5 cm (Framed)
Acrylic paint and embroidery on recycled Jute coffee sacks.
Nature is inspiring all this serie of organic abstracts that I'm working on at the moment.
This work has been created with recycled jute (Latin American coffee bags) and embroidery. Lately I am exploring materials that allow me to create a more sustainable and environmentally conscious art, in my process the recycled jute coffee bags are painted, cut and reconstructed in organic abstracts and arcing contour body silhouettes. I also use embroidery in my works as a tool for female empowerment and peaceful protest, I consider the embroidery as a space of freedom, introspection, self-knowledge and sisterhood.
About jute:
Known as the 'golden fiber' or Burlap, jute is the vegetable fiber extracted from the stem and bark of the plant called white jute (Corchorus capsularis) Jute is 100% natural, ecological, biodegradable, reusable and recyclable.
The extraction of the fiber is carried out mainly using biological processes, without the use of chemicals. The stems are submerged in water to separate the fibers.
Its cultivation is rainfed. It does not need irrigation, it feeds on rainwater.
It is one of the strongest and most resistant natural vegetable fibers.
Its growth is very fast, usually 4–6 months.
It can be cultivated in arid lands. The cultivation of jute enriches the fertility of the soil, allowing it to be used for other crops, such as rice. For all these reasons, we could say that jute is one of the most environmentally friendly fibers that exists
Harvest (La cosecha)
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50 x 40 x 4 cm
Acrylic and Embroidery on recycled Jute coffee sacks.
River (Río)
62 x 44 x 5 cm (Framed)
Acrylic and Embroidery on recycled Jute coffee sacks.
River is inspired in the amazon river, This river does not move in a straight line, but forms winding shapes from the Peruvian Andes to the north and then to the east. The curvature of these serpentine figures are known as meanders. I have represented these meanders with an embroidery that crosses the composition, likewise the organic figures in the background represent the different ecosystems and landscapes that the river crosses from the mountains to the sea.
This work has been created with recycled jute (Latin American coffee bags) and embroidery. Lately I am exploring materials that allow me to create a more sustainable and environmentally conscious art, in my process the recycled jute coffee bags are painted, cut and reconstructed in organic abstracts and arcing contour body silhouettes. I also use embroidery in my works as a tool for female empowerment and peaceful protest, I consider the embroidery as a space of freedom, introspection, self-knowledge and sisterhood.
About jute:
Known as the 'golden fiber' or Burlap, jute is the vegetable fiber extracted from the stem and bark of the plant called white jute (Corchorus capsularis) Jute is 100% natural, ecological, biodegradable, reusable and recyclable.
The extraction of the fiber is carried out mainly using biological processes, without the use of chemicals. The stems are submerged in water to separate the fibers.
Its cultivation is rainfed. It does not need irrigation, it feeds on rainwater.
It is one of the strongest and most resistant natural vegetable fibers.
Its growth is very fast, usually 4–6 months.
It can be cultivated in arid lands. The cultivation of jute enriches the fertility of the soil, allowing it to be used for other crops, such as rice. For all these reasons, we could say that jute is one of the most environmentally friendly fibers that exists.
Self Care & Love Collection
Self Care & Love 7
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42 x 30 cm (Framed: 50 x 40 cm)
Gouache and on hand made recycled paper. This artwork is framed.
This series of nudes of women hugging themselves is my way of expressing that feeling of love and care for oneself and for our body. Our body is our greatest support and also a companion for life that reflects what happens in our emotional world, from which we are usually disconnected. Thanks to our body we are here, without a body there is no life, when it doesn't work, nothing around us works, but when it works we are able to reach the moon with our hands.
These paintings are created with gouache and pastel on handmade recycled cotton paper.
This artwork is framed, the size with frame is 50 x 40 cm
Self Care & Love 6
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42 x 30 cm (Framed: 50 x 40 cm)
Gouache and on hand made recycled paper. This artwork is framed.
Self Care & Love 5
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42 x 30 cm (Framed: 50 x 40 cm)
Gouache and on hand made recycled paper. This artwork is framed.
Self Care & Love 4
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42 x 30 cm (50 x 40 Framed)
Gouache and on hand made recycled paper. This artwork is framed.
Embracing Myself Collection
Embracing Myself 1
76 x 61 x 4 cm (Framed)
Acrylic and Embroidery on recycled Jute coffee sacks. Framed with a white frame.
This series of nudes of women embracing themselves is my way of expressing that feeling of love and care for oneself and for our body. Our body is our greatest support and also a companion for life that reflects what happens in our emotional world, from which we are usually disconnected. Thanks to our body we are here, without a body there is no life, when it doesn't work, nothing around us works, but when it works we are able to reach the moon with our hands.
This work has been created with recycled jute (Latin American coffee bags) and embroidery. Lately I am exploring materials that allow me to create a more sustainable and environmentally conscious art, in my process the recycled jute coffee bags are painted, cut and reconstructed in organic abstracts and arcing contour body silhouettes. I also use embroidery in my works as a tool for female empowerment and peaceful protest, I consider the embroidery as a space of freedom, introspection, self-knowledge and sisterhood.
About jute:
Known as the 'golden fiber' or Burlap, jute is the vegetable fiber extracted from the stem and bark of the plant called white jute (Corchorus capsularis) Jute is 100% natural, ecological, biodegradable, reusable and recyclable.
The extraction of the fiber is carried out mainly using biological processes, without the use of chemicals. The stems are submerged in water to separate the fibers.
Its cultivation is rainfed. It does not need irrigation, it feeds on rainwater.
It is one of the strongest and most resistant natural vegetable fibers.
Its growth is very fast, usually 4–6 months.
It can be cultivated in arid lands. The cultivation of jute enriches the fertility of the soil, allowing it to be used for other crops, such as rice. For all these reasons, we could say that jute is one of the most environmentally friendly fibers that exists.
Embracing myself 2
Sold out
76 x 61 x 4 cm
Acrylic paint and embroidery on recycled Jute coffee sacks.
State of relaxation 1
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55 x 40 x 0.5 cm
Acrylic and Embroidery on recycled Jute coffee sacks. (Framed: 70 x 50 x 2 cm)
State of Relaxation 2
57 x 42 cm (70 x 50 cm Framed)
Acrylics paint, embroidery and recycle jute coffee sack
Chilling out is as important as being active, taking time out to simply relax or do what you feel like boosts health, creativity and work performance.
This series of nudes is my way of expressing that feeling of love and care for oneself and for our body. Our body is our greatest support and a companion for life that reflects what happens in our emotional world, from which we are usually disconnected. Thanks to our body we are here, without a body there is no life, when it doesn't work, nothing around us works, but when it works, we are able to reach the moon with our hands.
This work has been created with recycled jute (Latin American coffee bags) and embroidery. Lately I am exploring materials that allow me to create a more sustainable and environmentally conscious art, in my process the recycled jute coffee bags are painted, cut and reconstructed in organic abstracts and arcing contour body silhouettes. I also use embroidery in my works as a tool for female empowerment and peaceful protest, I consider the embroidery as a space of freedom, introspection, self-knowledge and sisterhood.
Organic Composition Collection
Organic composition 1
21 x 16 cm (30 x 21 cm framed)
Gouache and vegetable stamping on handmade recycled paper.
This series of paintings is inspired by nature, especially flora and with which I try to convey a sense of calm, well-being and connection to the earth. The organic shapes in the background have been created by stamping potatoes and carrots painted with gouache. The foreground has been painted freehand and expressively, guided more by feelings than by a visual guide.
Organic Composition 2
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21 x 16 cm (30 x 21 cm framed)
Gouache and vegetable stamping on handmade recycled paper.
This series of paintings is inspired by nature, especially flora and with which I try to convey a sense of calm, well-being and connection to the earth. The organic shapes in the background have been created by stamping potatoes and carrots painted with gouache. The foreground has been painted freehand and expressively, guided more by feelings than by a visual guide.
Organic Composition 3
21 x 16 cm (30 x 21 cm framed)
Gouache and vegetable stamping on handmade recycled paper.
This series of paintings is inspired by nature, especially flora and with which I try to convey a sense of calm, well-being and connection to the earth. The organic shapes in the background have been created by stamping potatoes and carrots painted with gouache. The foreground has been painted freehand and expressively, guided more by feelings than by a visual guide.
Organic Composition 4
21 x 16 cm (30 x 21 cm framed)
Gouache and vegetable stamping on handmade recycled paper.
This series of paintings is inspired by nature, especially flora and with which I try to convey a sense of calm, well-being and connection to the earth. The organic shapes in the background have been created by stamping potatoes and carrots painted with gouache. The foreground has been painted freehand and expressively, guided more by feelings than by a visual guide.
FINE ART PRINTS
Open Edition Prints
3 for 2 - A4 size - Art Prints
Mix and match, pick your favourite 3 A4 Prints and pay for 2.
*Make sure they are all available in A4 Size (29.7 x 21 cm). There is a message option at checkout, please write the names of the 3 prints there :)
3 for 2 - Square size - Art Prints
Mix and match, pick your favourite 3 square Art Prints and pay for 2.
*Make sure they are all available in Square Size (30 x 30 cm). There is a message option at checkout, please write the names of the 3 prints there :)
Limited Edition Prints
Woman playing Cuatro
64 x 64 cm (Limited Edition of 50)
Liimited Edition giclée printed using archival inks
Paper: Hahnemuhle German Etching 310gsm.
Number of Edition: 50
Certificate of Authenticity with micro-embossed security label and signed by the artist.
Studio Sale
On Sale
On Sale
Woman with basket of fruits
102 x 76 x 4 cm
Acrylic on canvas
Antigua market in Guatemala is a bustling place, full of smells and sounds. The Mayan women fruit sellers inspired me for this painting, usually carrying an amazing amount of things in a basket on their heads while wearing beautiful local costume full of embroidery and bright colours...
On Sale
On Sale
Q'enti (Colibrí/Hummingbird)
50 x 40 x 4 cm
Acrylic on canvas.
In the Andean worldview, each of the 4 directions (South, West, North, East) are linked to an archetypal power animal that represents and inspires certain values. Each of these animals also radiates a different energy vibration and helps us in certain circumstances of our life.
The hummingbird (Q'enti) teaches us to obtain wisdom from each experience, both good and bad, and that we have the ability to change direction in our flight whenever we wish. It represents the courage it takes to embark on an epic journey (each year hummingbirds migrate from Brazil to Canada, a seemingly impossible journey for birds of their size). The energy of the hummingbird propels us on that epic journey that will take us back to our origin, where our spirit was born. The hummingbird is associated with the soul and with the Hanaq Pacha ("world above").
On Sale
On Sale
Ankalli Warmi (Mujer Rebelde/Rebel Woman)
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50 x 40 x 4 cm
Acrylic on canvas
On Sale
On Sale
Free Spirit
60 x 60 x 4 cm
Acrylic on canvas.
And she had to learn to dance with life ...
And the dance of life with her beautiful melody took her away and forced her to open her mind, give way to the imagination without letting go of her roots so as not to lose the floor, moving constantly so that they do not tie her spirit